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Art & Art History

Focalization: 13 Viewpoints

Monday, March 11, 1991–Friday, April 12, 1991
Location:
Gallery 400
400 South Peoria Street, Chicago, IL 60607

View times

Wayne Boyer, Drew Browning, Jeff Crisman, Doug Ischar, Joe Jachna, Silvia Malagrino, Gary Minnix, Jim Morrissette, Esther Parada, Dan Sandin, Ellen Sandor, Hans Schaal, and Paul Shukin

Focalization is an exhibition of photography, film, video, and computer-generated art produced by thirteen faculty members in UlC’s art and design department.

PRESS RELEASE

Focalization: 13 Viewpoints

Gallery 400
Chicago, Illinois
March 11–April 12, 1991

Opening Reception: Wednesday, March 13, 1991, 4–7pm

EXHIBITION CHECKLIST

Wayne Boyer

Landscape, 1991
3-D video, film/video

Drew Browning

Disability Activism, 1991
Electronic visualization

Jeff Crisman

Blubak, 1991
Photograph, 16 x 20 in.

Bob Shaw, Sr. in His Studio, 1989
Photograph, 16 x 20 in.

Capt. Jack Cripe,
1988
Photograph, 16 x 20 in.

DC Paul and His Mobile Studio,
1988
Photograph, 16 x 20 in.

Doc Webb in His 4th St. Studio, 1983
Photograph, 16 x 20 in.

Gene Grim in the Studio of Grandson, Wes, 1987
Photograph, 16 x 20 in.

Lorette Folkerson/Ward Hall Sideshow, 1990
Photograph, 16 x 20 in.

Sailor Ned Resinol with Portrait of Tatts Thomas Tattooing Lorette Folkerson, 1988
Photograph, 16 x 20 in.

Doug Ischar

Surrender in Uniform, 1991
Mixed media, 5 x 50 in.

Joe Jachna

Canoe Series, 1975–77
Photograph, 15 3/4 x 83 in.

Family Feet & Shape Series #1
, 1969–88
Photograph, 24 x 20 in.

Family Feet & Shape Series #2, 1969–88
Photograph, 24 x 20 in.

Family Feet & Shape Series #3, 1969–88
Photograph, 24 x 20 in.

Family Feet & Shape Series #4, 1969–88
Photograph, 24 x 20 in.

Family Feet & Shape Series #5, 1969–88
Photograph, 24 x 20 in.

Family Feet & Shape Series #6, 1969–88
Photograph, 24 x 20 in.

Silvia Malagrino

The Origins, 1990
Photograph, 7 1/2 x 12 in.

Under Currents #1, 1990
Photograph, 16 x 20 in.

Under Currents #2, 1990
Photograph, 16 x 20 in.

Gary Minnix

Connect the Dots #2, 1990
Color laser copies from computer inkjet prints, 33 x 45 in.

Connect the Dots #3, 1990
Color laser copies from computer inkjet prints, 33 x 45 in.

Jim Morrissette

Quiet Places, 1991
Film/video

Esther Parada

Define/Defy the Frame, 1990
Digital photography using a Macintosh computer, Canon color laser copier, and reproduced by offset lithography, 22 x 33 in.

Monroe Doctrine, Part 1; Theme and Variations, 1987

Digital photography using a Macintosh computer, generated on a Linotronic 300 output, 48 x 70 1/4 in.

Dan Sandin

Fractal Explorations, 1987
Video installation, 8 x 12 x 5 ft.

Spiral 5, 1981
Electronic visualization

Volume of 2-D Julia Sets, 1989
Electronic visualization

Ellen Sandor

The Politics of Pleasure/The Nineties, 1989–90
Stealth negative PHSColograms, 100 x 30 x 30 in.

Hans Schaal

Casting Call for the Die, 1991
Video/film

Paul Shukin

Dance of the Wooden Dolls, 1991
Animation, film/video

Russian Dance, 1990
Animation, film/video

PRINT COLLATERAL

Postcard: Focalization: 13 Viewpoints